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The circle of thirst in my phone

A quick note, I've just had a thought. Lately is happening inside me something of a paradox: more and less I know seems to know. I'm hungry
moving into areas other than those which I have previously given in a structured way. Everything runs on a variety of media: books, blogs, records, films. I find myself constantly to tear, in no particular order, following the flash of inspiration, the sound of a name. Clues, references and hints: each of these affects a different part of my brain and soon the chase like a moth with fireflies, ranging from psychoanalysis to cinema, from literature to music. Are so receptive and eager to discover that I can not stay behind to stimuli. The other night I talked about movies until three in the morning with a friend who works in the field and I noticed what I know, both technically and culturally. I'm watching (and re-watching) all the movies in a different way now, just as I look at the photos I try to analyze every detail - lights, camera angles, focal lengths, colors, symbols, references, sounds, music, Dialogues - the filmmakers read books, I compare myself with people who know more than me. I have an irresistible attraction to the cinema, because it combines two things I love and which I have to go together: images and sounds. E 'is a wonderful and incredible casino. Compared to photography, pure and simple, everything is complicated greatly when it comes to motion pictures: one thousand variables involved and nothing can be left to chance. While the still image is easier to control - after accounts it is a single frame - the other is much more liable to criticism than at a video, which runs more or less quickly to the side gives less precise observations. But a film includes many more elements on which it is necessary make very precise choices, why are infinite nuances with which they can make individual components. I am in full reading of the book "Making a film by Sidney Lumet and hangs literally what it says and does not I never imagined existed. I find it amazing the combination of exceptional professionalism in giving way so unique contribution to the work its final part, which is often enjoyed on a superficial level, giving it all for granted when it is not at all. There is nothing I want more now witnessing the making of a film, including most recently the past. Of course, as a photographer stage would be the best.
But here, the more I feel this strong pull - and film is just one example, in reality it applies, albeit to varying degrees, to other areas I mentioned above - more salt on my sense of frustrated inadequacy . I realize that I would need ten lifetimes to get into everything that interests me with the depth I want. I know, I have only thirty-two years and a life ahead to do it, but all this puts me one more time in front of the fact that I'm wasting valuable time that I need to satisfy this hunger frightening culture, leading a life working ; made of useless things like . My life is worth so little that I spend in a company without batting an eyelash agrees to pay € 700 just to put a necklace on a plane to be shot in Paris - the sky falls - right now? When I passed that order of transfer I found myself in serious trouble. It 'was a real ethical dilemma for me. How many things could have been done with that figure? And the ironic thing is that we have done everything magheggio because it was urgent ... and at the end of the shoot was delayed a week also. Now, I do not want to force to attack this thing, I know how much waste each day there are anywhere in the world and even in my work is the first time, however, is another food for thought than a way of doing things that just disgusts me. It disgusts me that I do is party.
I can to make the most of my free time - and in fact I have not slept more than 4-5 hours a night - but I know I can and I want to do even more. And certainly it will be, indeed is already happening.
Let me live with the artists, who really has something good or bad to say to this world because they are the only ones who handle something real, to feel, that belongs to the core. I thirst, I drink more and more I feel the need.

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Weekend Milan again. Between cinema and a cocktail appearance on 27 February in sixth place. I look at the last stop for twenty minutes and when passes are almost disappointed, because I was running out to take some pictures with my phone. I do not have an iPhone, and the resolution of my camera phone is an insult to photography. Yet in those few images there is a lot to me. I never do snapshots, except in very rare cases where I feel an emotion of wanting to take away from a place where I lived . Then maybe you do not respect anything, but I know they are there. And above all I know I have taken.
selecting the photos selected to be retained in this case, I covered some of those in memory and it was a nice shower of small but powerful memories.
Tonight, somewhere between the hypnotic notes of a piece entitled "The Golden Age " I looked at the old Fair: its buildings under construction, the crane with the red lights a bit 'wobbly on top. The streetlights on the road. The few machines. The tarmac. The crosswalks. The newsstand. The tram tracks with the reflections of light. The buildings around the square and their lit windows. I always like very much to look at houses from the outside, imagine the people inside, the decor, the lives that are going on. Sometimes I want to play over the intercom guessing that the tenants of the windows m'incuriosiscono more, saying "I am" and open myself to give a face to their rectangles of light.
in my phone now there's this: a fragment of the area where I lived more or less my first twenty-six.

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柔道 家

now I could repeat endlessly: good and evil are netted, always.
My beloved colleague room will leave the company tomorrow and this is very positive compared to the hundreds of days when I was his way of doing sorbed. The flip side is that I have rained on most of his work, perhaps even more unpleasant for him. The effects of everything they hear especially from Thursday, when Brancoleria between tasks in the dark unknown to me. In addition to, my, most recently as Chinese moltiplicatesi heat. I omit the treatment that is giving me my head down or risk being banned from Blogger for excessive vulgarity.
In this latest showdown against what we normally I hold my head, but in this case has definitely opened the throttle, so I can react in two ways: the old and frustrating standoff or the approach to judoka:

"Adapting to the opposing force in order to obtain the full control. Example: if I get attacked by an opponent who pushes me with some force, I must not fight it, but at first I must conform to its action and, taking advantage of his own strength, making me draw him to bend the body forward so that he loses his balance, at which point the capacity of my rival is aggressive enough and nothing that I use proper technique to topple easily ".
(Kano Kano)

I almost get up and go to make a tripping with my colleague. Even as a symbolic act. Sly look at him from my desk while you are eating lunch here on his penultimate and suddenly I feel a bit 'sorry for him. It 's the classic person for whom the grass is always greener. Poor thing, if you only knew what you lose out from his mental prison. Then, everyone has their own, but Signuri ... Raised his eyebrows, sigh and go back to flutter on my monitor, with all its windows open on the worlds that I like, before putting the 柔道 着.

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Suspension

suspension is the keyword. 'S the state in which, without that it is a state . It 's more a fluctuation, Brownian motion, random with a flight windily the spherical view of a fly. They are surrounded by air, even under their feet, and this air is full of presence, of which the music is but an allegory. Its notes are swimming in my blood for days and I'm ready to cut me to enter into full contact. Tic ... tac ...
the weekend will go out to photograph. It does not matter where and perhaps even too much thing, because the as . Rome In this sense, again, puts me in trouble, because I would like clouds, rain and especially opaque whiteness, while she offers sun, blue and light and shade net. These days will also model - irreplaceable - I have chosen for this project, but I will also study while waiting for the shots themselves. I can not wait, not with regard to the feelings that I feel now, ; bubbling nicely haunting. I have this world that goes from the inside, like a balloon that inflates more and that must come out from my physical boundaries. I still have the day today to expand it as far as possible and do not want to see anyone, nor do anything that might distract me. I will use this city for me, sure to find, slowly, the caress is hidden in his clumsy ways and peasants. Bitch a little 'magic that you are in Rome.

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The clock in red

On days like this I would write an entire book. Despite the neon light, the presence of colleagues in the room and a job that comes close aberrant inexorable as the tide, I try to go back out there on the Ponte Cavour, when, a few hours ago, I was .

finally raining in Rome and I find myself in a calm relaxed atmosphere of my walk in these droplets, the perfect agreement with my inside. "How all this music, I think. On the Cavour bridge the wind always blows, changing direction every second. Strand of hair is pulled up as if by invisible threads, finendomi inevitably face, preventing the view and taking unusual folds. Sometimes the hair makes me feel a stranger to myself, just that it moves the line, even slightly, and perceive a clear change on my skull. As if I had confused the salt and sugar. Now, as I walk under the umbrella, I see my curls volarmi before my eyes and feel my skirt rise up to find their legs red. This morning I wore my favorite color and I feel warm even the thought from under his jacket. The piano music in the ears with syncopated ticking me regularly, before they can discover that the piece I'm listening now for the first time, is called its clock .

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Aesthetics

Look at the people and not concentrated, not difficult to weed out the culture of images that imp and SOEC to figure out what you really like to watch. Would you like a person or a landscape to the extent that a person, and that landscape look like the ideal of people and landscapes that you have inside, everything else is shit, it makes no difference, sometimes not even notice. And do not even have the courage to go against the current to reach the source of your taste. For goodness sake, you might find that you like
irrim and iabilmente bad girls! What shape would you do with your friends if they knew that you have a wicked perversion of the cuts, for the spots, the bones sticking out? Be a coincidence, but your tastes match with the aesthetics that are born and change when the aesthetic change. No matter if you discuss the tastes of others is useless, because I find it outrageous that someone considers my taste a self-suggestion that only serves to give control to the tastes of other people. Maybe if I did a tattoo with the word "observation" would understand what I do every day, I! Yes, because you understand only the tattoos, earrings, piercings, glasses, hairstyles, clothes, websites, retouched photographs, photographs that show only a fraction of what there is to v and ages, covers, papers, designs a bit 'graphic because the stretch is uncomfortable now, drawings dirty on purpose, because to let you know something that is impromptu and sudden need to write under a totalitarian character. Do you understand the movie if someone who is sympathetic explains them there, otherwise not worth the trouble of trying to stay two hours s and used in a chair, because, god My, you v and ages something that you do not like! The solution for you? The films in black and white, silent! The Journal of a page, blank!

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TPW: Round 2 Workshop

As you may have already had occasion to read, I believe that in life everything is extremely, almost magically balanced. Things good and bad cancel each other out in time intervals shorter or longer. Could I ask you a thousand examples, just yesterday. I see this in a big way, which does not aim neither optimistic nor pessimistic, and is therefore neutral and impartial. The fate and I do not think, with sinusoidal depending on the stages of life. I can not deny that as far as predestination, un'eclatanza are certain episodes of screaming, but for training staff have always been convinced of the preponderance of free will. All in all, I think, two things are not even completely antithetical and of coexistence impossible, but I would not hours go into territories too muddy from the location of this post.
All this to say that in recent months, want to servant or liber or will, I found myself a bit 'too often in the dark side of the moon and I needed a bit' of light. Curious as this need to be linked to the element fundamental of photography: light, indeed. Besides the portrait workshop with Toni Thorimbert, my slice of the moon re-balancing will be another week at the Toscana Photographic Workshop in late July, after the wonderful experience last year . Instinct led me to the area of \u200b\u200bresearch personnel: In view of Anders Petersen, the workshop titled "Surprised by the unpredictable." I think that, among other things, very fitting compared to recent events in my life. This description, in the words of the photographer:

The word photo may take on different meanings depending on the weather, social situation, the public and especially those who are behind the camera.
I think that's the only approach to reality is to enlighten through themselves, so that, whatever the subject of their photos, they are as close as possible to a self-portrait. This approach is not always painless and risk free, but it is very challenging. And I want to have fun and be at ease, seeking not only the good photos, but one that is honest and reveal yourself. I want you to catch things and go in the new rooms that show your personality as you see these things.
During this workshop I simply wish you approach yourself - naked and vulnerable - when you meet others, and be surprised by the unexpected.
will work on projects every day, but now I see your portfolio, and of course I will show my work. It will be a week of personal photograph. Prepare yourself and relax.

this sentence it says my name. It's up to me to put all the rest.

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Toni Thorimbert

information on the fly, which perhaps may be of interest to some 'readers of photographers over the weekend of April 9 to 10 there will be a workshop in Modena portrait taken by Toni Thorimbert , which will how to relate to the subject. All the info here
.
not that is a reason to come, but I regard to be there!

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Radio Montestella

Oh I know, sometimes I fall: this is a futilpost , than a little 'radio because of the personalized greeting. I warn you first, so you can go straight to the next blog.
I just got back from Milan by the latest weekend, longer than usual to add a Friday very well spent. This time, rather than return to Rome I pulled the head from a steel-reinforced corner, also because of the late hours of the trip, which makes me write three in the morning with the feeling that they are just ten. I notice the morning, but then, as always, Sticazzi. You sleep when you're dead.

Alek thank you for helping me with patience to choose the slides for my fashion book, fan the projection up to the controls and adjusting the yes and no in their boxes while I sat on the bed and magnificence philosophize with the pointer on what to do here and there. I can not write down how much our friendship has been strengthened in recent months and what this bastard Sardinian make me have fun. I can not wait to be mid-March to split your ass to the sparrows together ;-)
Friday I spent the afternoon with Harold, always unique sincerity, humor, loyalty and brotherly wisdom. For me, a person is really valuable, because it is also one of the few that give me advice that I remain impressed in time, since they are meaningful in relation to my personality.
And then there's Monica, with which even a single half-hour becomes an explosion of laughter and stories. More and more fresh and beautiful, I'm fun crazy.
Then there is a parenthesis too personal to be eviscerated here, with regard to the evening with my brother and Claudia. We shed light on an important aspect that will put focus in the coming months. I am writing to hold it right under your nose and do not let that get lost in the cauldron of good intentions. Oh, my in truth is a little 'how to drain the cauldron ... the rest are known to be a bit 'Mephistopheles. Thanks to Massimo Mila
and for having been close from far away.
A special thought to Zaire, my increasingly important and pleasant Roman alter ego. At work it makes me laugh and bend from the meetings we set up fictitious grimly tell Outlook to mind our own coffee.
Finally, a look at a creation of a world beyond .

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RIP

Today Gary Moore died . The news
me ice cream, just because I did not expect. Beyond the still young age - he was only 58 years - made it unlikely that such an eventuality, in my mind has always been a musician who transcended time and then in a sense immortal. Perhaps because it is his own genre, the blues, to have this feature. A few years ago I went to hear in concert at Rolling Stone in Milan and when he played my favorite songs I remember a shiver through my indescribable melancholy.
Since 1992, when I discovered it in a special network Videomusic , his songs became the soundtrack to many of my emotions. I still remember where I listened to him and with what feelings. I can not say more, for once, am speechless.

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Be Munarizzanda

Complicating is easy, it is difficult to simplify. To complicate just add whatever you want: colors, shapes, actions, decorations, characters, environments filled with "things." Anyone can complicate. Few are able to simplify. To make it easier to be removed, and remove need to know what to remove, as when a sculptor to chisel away the stone boulder all that material that is extra. Virtually every block of stone can have within it a beautiful sculpture: how do you know where you have to stop to take out without damaging the sculpture? Remove instead of adding means acknowledging the spirit of things and communicate in its essence. This process leads out of time and fashion. Simplification is the sign of intelligence. As one old Chinese saying: "What can not be said in few words, you can not even say in many."

(Bruno Munari "written report", 1982)


In a sense, in the words of Munari is contained the essence of what I'm letting happen in about ten days, remove, deconstruct, to strip. Luckily for me not to chisel, but rather in an unexpectedly gentle manner. All the people with whom I meet recently noticed a very relaxed tone in my voice, clear manifestation of my mood. The nice thing is that I have the distinct perception of what is happening, moment by moment, and relish in an exquisitely reserved. I'm carrying no effort to recognize my soul, then drops to communicate in its essence. If I can not know, but the most interesting, as always, is the path.